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Lansing state journal pet classifieds11/13/2023 ![]() The final piece moves from darker colors in the bottom left to lighter ones in the top right, building on that upward feeling Nathan had when she listened to the music. She ended up taping off sections of the painting to create layers that are both defined and overlapping. “The one thing that was very difficult was to capture the way the notes layered over each other,” she said. But the shapes were harder to figure out. The colors came to her quickly – white and yellow for the higher notes, deep blue and purple for the deeper swell – and she felt a sense of upward movement that she wanted to translate on the canvas. Nathan listened to her assigned movement – the seventh, called “The Market at Limoges.” The piece was about 90 seconds long. “Whenever I listen to music, I think about how it would look visually, when it comes to large swells or the fast tempo,” she said. She started her MFA program in Portland this summer and quickly jumped at the chance to participate in this project. She grew up in a musical family and attended orchestra concerts while she was growing up in other states. Photo courtesy of Portland Symphony Orchestraįor Nathan, a symphony is a familiar space. “Sometimes you need an experience like this that just shakes you up and creates more opportunities for collaboration and communication.”Įckart Preu leading the Portland Symphony Orchestra, whose season opens this weekend. “I really believe in the power of the arts to bring people to a different level,” said Laura Freid, president of the college. I think these new images will help reevaluate how we listen to this music.”īoth the orchestra and the college also saw that the partnership could bring new people into their spaces. To always see the music, especially known music, in new light. To always make people and musicians, myself as well, not just reproduce what has already been produced. “Will the new images that were created just for this concert, will they change the way you listen to the music?” he said. Preu agreed that the art was surprising and inspired. “I think the scope of the orchestra and the individual pieces will be well-matched,” Drown said. 5 “The Ballet of the Unhatched Chickens” from “Pictures at an Exhibition.” Courtesy of Joel Tsui and Maine College of Art & Design. “Joel’s Scrambled Eggs,” a photograph by Joel Tsui inspired by Movement No. “It really draws a picture even if people haven’t seen the originals.” “There’s a variety of playfulness and darkness and grandiosity,” he said. Each of the 10 movements of “Pictures at an Exhibition” corresponds to a different painting by Russian artist Viktor Hartmann, and Mussorgsky interspersed a recurring theme that represents a visitor walking from piece to piece in the gallery.ĭrown compared the composition to “a modern album” because the movements vary widely in their style. He knew the work (“one of the greatest hits of the 19th century,” he said) and found students and faculty to work on the project over the summer. Steve Drown is the coordinator of the Bob Crewe Program in Art and Music at the college, and he was immediately excited by the request from the orchestra. “I didn’t ask them to illustrate the music.” “I did not say, do your research and look up what the original pictures are,” he said. He wanted to see what art could be inspired by the music, rather than the other way around. He approached the college with the idea to reverse-engineer it. Preu was looking for a novel way to present the famous work. 2 of “Pictures at an Exhibition.” Courtesy of Maureen Hsu and Maine College of Art & Design. “The Old Castle” by Maureen Hsu, inspired by Movement No.
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